Criss Angel Believe
| Criss Angel: Believe |
| Company |
Cirque du Soleil |
| Genre |
Contemporary circus |
| Show type |
Resident show |
| Date of premiere |
October 31, 2008 |
| Location |
Luxor hotel, Las Vegas |
| Creative team |
| Co-writer and star |
Criss Angel |
| Director and co-writer |
Serge Denoncourt |
| Director of creation |
Pierre Phaneuf |
| Associate director of creation |
Christiane Barette |
| Set designer |
Ray Winkler |
| Costume designer |
Mérédith Caron |
| Composer |
Eric Serra |
| Choreographer |
Wade Robson |
| Lighting designer |
Jeanette Farmer |
| Sound designer |
Jonathan Deans |
| Projections designer |
Francis Laporte |
| Acrobatic equipment/rigging |
Jaque Paquin |
| Acrobatic act designer |
André Simard |
| Props and puppets |
Michael Curry |
| Makeup designer |
Nathalie Gagné |
| Other information |
| Preceded by |
Zed (2008) |
| Succeeded by |
Ovo (2009) |
| Official website |
Criss Angel Believe (also written CRISS ANGEL Believe or Criss Angel: Believe) is a 2008 theatrical production involving a collaboration between Cirque du Soleil and Criss Angel, a magician best known for his own television show, Criss Angel Mindfreak. The show is a major show at the Luxor hotel in Las Vegas, scheduled for 4,600 performances in the Luxor's 1,600-capacity theater, which was renovated for the show; the show is scheduled for a ten-year run, with an option for a five-year extension. Angel is billed as "co-writer, illusions creator and designer, original concept creator and star."[1]
Believe is the sixth Cirque du Soleil show in Las Vegas, following Mystère (1993–present), O (1998–present), Zumanity (2003–present), Kà (2005–present) and Love (2006–present).
History
Angel claimed to have been developing aspects of the show for over 15 years. He originally tried to develop the show for a Broadway run, as well as other casinos, but nothing came to fruition. Eventually, Believe came together when he entered a partnership with Cirque du Soleil and the Luxor's parent company, MGM Mirage Resorts, which financed the show with $100 million. The partnership marked the first time Cirque built a show around an individual performer.[1][2]
After the failure of the musical Hairspray at Luxor, MGM Mirage signed with Cirque to install a new show for the theater by 2008, the sixth Cirque show on The Strip.[3] That show became the partnership with Angel, which was formally announced on March 22, 2008, in a press conference with MGM Mirage and Cirque executives, and Angel that included an awkward speech by the latter.[2][4][5] The title was announced in a press release on April 17.[6] During this period, Angel received bad press from incidents during the Miss USA 2008 contest. After his then-girlfriend, Miss Nevada, was eliminated, Angel was filmed on NBC giving the finger; afterward he threatened Las Vegas Review-Journal gossip columnist Norm Clarke over negative press regarding his actions earlier in the competition: Angel told Clarke, who had an eye removed and wears an eyepatch, "Don't ever write another word about me, or you'll need an eyepatch over your other eye."[1][7][8] Angel refused to apologize and later denied the incident ever occurred, despite an assertions from several including the Review-Journal's publisher.[1][8][9][10][11][12]
Angel described the show as "[A]bout my life. It's Alice in Wonderland. It's The Wizard of Oz. Mindfreak. It's about the demons in my head, the good that's out there, the angels and love and lust—all that stuff mixed up."[1] Cirque selected Serge Denoncourt as director and co-writer, a somewhat counterintuitive selection since he explicitly disliked magic. Denoncourt stated that he was "trying to direct a show for people who love it but also for people like me who hate magic."[1]
Originally planned for a summer 2008 opening, more than $5 million in advance tickets were sold.[1] After several delays, the show had was set for a gala opening on October 31, 2008 with preview shows in late September.[13][14][15]
Reception
The initial preview performance was not received well; audience reactions were thoroughly negative.[16][17] The show opened to equally harsh reviews, citing a lack of the magic Angel is known for as well as a confusing and uninteresting theme; reviewers felt neither Angel nor Cirque du Soleil were able to perform their capabilities.[18][19][20][21] By December 17, two months into the show's run, the Luxor was offering a 40% discount on show tickets.[22] In lieu of quotes from theater critics, by January 2009 the Believe website used positive critical quotes from selected celebrities, including Angel's then-girlfriend, Holly Madison.[23]
Hilton incident
After Cirque du Soleil spent some months altering the ongoing show, blogger and television personality Perez Hilton attended a Friday, April 17, 2009 performance. During the show, Hilton used his Twitter account to message over half a million of his subscribers "We are 20 minutes in and Criss Angel's Vegas show, Believe, is unbelievably BAD!", as well as other criticism.[24] As the show was ending, Angel singled out Hilton, had him stand up, and declared to the audience that "We have the world's biggest douchebag asshole in the house!"[25] To which Hilton replied "Thanks for the free tickets."[25] Hilton, who was a fan of Cirque du Soleil's other Vegas shows, later noted that "until 'Believe,' Cirque has had an incredible track record of excellence. I have seen all of their Vegas shows and loved them all."[25]
In the aftermath of the incident, Cirque du Soleil, but not Angel, issued an apology to Hilton, as well as anyone else present in the family-oriented show. Speaking also on behalf of hotel owner MGM Mirage, Cirque du Soleil called Angel's remarks "inappropriate and disrespectful", noting that "Cirque du Soleil does not condone disrespectful behavior towards any audience member at any time. Cirque management will address such behavior privately with any of its artists to ensure it will not happen again."[26] The Vegas media reaction was strongly against Angel, who was viewed as having broken a major taboo among casino employees in the largely tourist economy by insulting a guest, notably during an economic downturn.[27][28]
Additional illusions added
After many reviews cited the disappointing lack of magic in the show, it was revealed in April 2010 that over thirty new illusions were planned to be added to the performance and would be rolled out by the end of May 2010.[18][29] This enhancement was to raise the number of illusions to twice the amount of any show currently on the Las Vegas Strip.[29] The new illusions marked the second time the show had had significant enhancements added, the first being changes from Cirque du Soleil approximately one year prior in April 2009.[24]
Cast
- Criss Angel: Criss acts as the protagonist of his show, as a Victorian Noble who is on a quest for love and to find his existence in this surreal world.
- Crimson: The antagonist of Believe, Crimson is often dressed in reds and blacks to symbolize her evil nature. She fights desperately for both Criss' love and to destroy his life. Crimson acts as the evil force in the show.
- Kayala: A foil to Crimson, Kayala is Criss' reciprocating love. She was born out of a large poppy, and acts as the force of good in the show.
- Ushers: Maestro, Luigi, Slim and Lars are the four bumbling assistants to Criss, acting as his link between the real world and the world of Believe. Maestro acts as the leader of the four, controlling them, along with performing mediocre magic tricks.
- Lucky: Lucky is a white rabbit, appearing during the show only for a short period of time. He is the mascot of Believe, and much of the show's merchandise features him.
Acts
The following is a run down of the production prior to May 2010, most of these elements no longer exist in the current version of the show.
Before the show opens, the Ushers come out and interact with the audience; most notable are Maestro's simple magic tricks and his obvious desire to be Criss.
- Opening
- Premonition: Criss comes towards the audience and throws his wristband into the crowd. Once a spectator catches it, Criss has the person tell their name, where they're from, and to pick any word out of the English language. A small, locked box (always within the view of the audience) is then lowered from the top of the stage, where Maestro opens it and brings its contents - a clear plastic jar with a piece of paper in it - to Criss and the selected audience member. Much to the amazement of the audience, the paper contains the name, location, and chosen word of the participant.
- Tesla Coil: Criss is suited up in a chainmail outfit as a very large tesla coil is presented onstage. Criss goes to enter the cage surrounding the coil, but Crimson has other plans. She turns the power to the coil all the way on, causing sparks to fly and the theatre lights to go out. A pained shout is heard from Criss, and he writhes on the ground in pain as human-sized rabbits in doctor's coats lift him onto a gurney and roll him offstage.
- Lucky and Homage to the Rabbits: A small rabbit appears on a large projection screen, desperately trying to escape. It makes its way out and hops onto a box, taking a small microphone and discussing Cirque du Soleil show rules and how it is now going to take over the show. While assuring the audience that no animals were harmed during the production of the show, a large light burns out and falls from the top of the stage, crushing Lucky and killing him instantly. The Ushers come out to find Lucky, placing him on the front of the stage as multiple rabbits come out to dance for their fallen friend. While they dance, Lucky's corpse is taken away, only to be replaced with Criss' body on a gurney. Crimson, who seems to be leading the dance, rips Criss' form off of the gurney and onto the floor, where all of the rabbits fight over it to get a piece. They then dance around with his limbs, head and torso, before being shooed away by the Ushers.
- Humbodik: The Ushers reassemble Criss, before running offstage to get "the machine". Crimson reappears, dancing for the body of Criss while the machine is brought out. Criss' body is then lifted from the ground, before being engulfed in CO2. After the CO2 is blown away, we see Criss, whole again.
- The Dolls: Three dolls - Gigi, Taz and Charissa - appear, dancing seductively while they dress Criss.
- Doves: Criss does some sleight of hand with doves, before he disappears into a cloud of CO2, reemerging with his own pair of wings. He levitates above the stage for a few moments, before disappearing into the stage.
- Poppy: Grit, a rabbit, appears on the stage and performs some contact juggling, while a large rabbit hops onstage to watch him. Two men dressed up as poppies come out and spin around, as a very large poppy is brought onstage. Suddenly, the poppy opens to reveal a beautiful woman clad in a white unitard. She performs some aerial acrobatics as Criss appears through a trapdoor in the middle of the stage. He stands on a platform made of thorns, staring up at the woman in awe, a hand clutching at his heart. The woman descends from her flower into Criss' arms. The two embrace before she gets off of the platform.
- Scarecrow: Two men in white, billowy skirts wave large white fans before Criss, hiding him from view. When he is show again, he is shouting in pain, as Crimson is crawling through his body. Kayala hides behind the Ushers, who urge her to save Criss. She goes to run offstage as Crimson exits Criss' body, but Crimson catches her and begins to strangle Kayala. Criss has escaped his thorny prison, and runs over with a large white cloth to protect Kayala. He makes Kayala vanish under the white cloth, as Crimson makes herself vanish under a red cloth. Criss rips the red cloth away to reveal a burning tree. He then runs offstage to follow Kayala.
- De Kolta Chair: The four Ushers appear on the dark stage with flshlights, looking for Criss. They come upon many rabbits, before Zangelica appears onstage with a baby carriage. The doll-sized Criss and Kayala appear from the carriage, before Lars picks up the smaller Criss and sits him on a chair. Lars and Maestro then lift a cloth over the chair, allowing Criss to reappear as normal. Maestro then begs him to perform his "favourite trick", the De Kolta chair. Kayala, a chair, and a large box are then brought onstage. Criss places a purple cape over Kayala, having her move her hands before she disappears. The box is then opened to reveal her.
- Danceoff: Multiple Moles appears onstage and begin to dance. Criss and Kayala run offstage as the Ushers begin to play Rock, Paper, Scissors to decide who will dance against the moles. Each dances in turn, the most notable being Lars breakdancing on his head.
- Tronik: Criss and Kayala return, and the Ushers begin to haggle them about their romance. Criss only smirks and replays that they "can kiss the monster", the monster being a lurking Tronik. Kayala runs offstage as Criss and Maestro run into the audience, Lars, Luigi and Slim running offstage to get whips and shields. Criss goes back onstage and defeats Tronik with magic. The creature staggers back for a moment, before regaining itself and heading toward Maestro, who cowers. The creature then removes its arms and torso, revealing Criss inside.
- Metamorphosis: Crimson appears onstage and begins to seduce Criss, along with partially undressing him. He is then thrown into a wooden crate, while Crimson and her minions writhe upon the stage, tying up the crate. Crimson then climbs atop it, hidden in a cloud of CO2 before a firewall goes off. Criss then appears atop the crate, and begins to open it, revealing a straight-jacketed Crimson inside.
- Wedding: Kayala is revealed, wearing a white wedding gown with a huge train following her. The Ushers come out to congratulate her as Criss is seen to appear atop the wall of the train. He then begins to walk down it, marrying Kayala after his descent. The two proceed to kiss as the Ushers pose for photographs. A large pool of blood begins to form on the gown's train, growing large with each flash of the camera. Finally, the gown is ripped from Kayala. A spotlight shines on Crimson and her paparazzi, before Criss is illuminated, Kayala lying on the ground next to him.
- Paparazzi: Criss and his Ushers fight to keep the paparazzi away from Kayala's lifeless form, the paparazzi dancing with Crimson before the wind blows them away. Criss mourns for Kayala before the Ushers take her away. A large projection of Crimson appears before Criss, knocking him to the ground.
- In Two: A large, mechanical-like table is rolled out, along with figures sharpening chainsaws on it. Criss is chased offstage by a Crowman, before one of the Dolls brings him back on and throws him upon the table. Crimson takes a chainsaw from one of her henchmen as Criss is bound and shackled to the table, before sawing him in half. Blood and gore spill out everywhere, each half of Criss' now-lifeless body pulled in separate directions offstage.
- Funeral: The Ushers come out and mourn over Criss, placing red roses on his grave. Crimson walks out with a Crowman and a wheelchair, spitting on Criss' grave before throwing her black rose on the ground. She is then covered by a blanket on the wheelchair and spun around so that she is no longer facing the audience. More mourners bestow roses upon Criss' grave as Kayala comes out in a black mourning gown, placing her white rose gently upon her beloved's grave. A large scrim comes down upon the stage before the wheelchair begins spinning. The figure seated removed the blanket, revealing Criss. He turns around to look at the characters of his surreal adventure, but the lights have gone dark and they are no longer visible. He then turns back to the audience, his whisper of "Believe" echoing throughout the theatre.
Costumes
Mérédith Caron, costume designer, drew much inspiration from the 17th and 18th centuries, including the Victorian era. The fabrics chosen reflected the themes of desire, seduction, and dreams. The many materials for the characters include linen, cotton netting, crushed velvet, jute, hemp, and crinyl. As an example, Kayala wears a bodice of black crinyl and organza train which is highly influenced by 18th-century decadence. The dolls, on the other hand, are inspired by 17th-century paintings and enlarged paisley patterns. Crimson is seen wearing a costume made of leather and "Mirror of Holland" linen. Her costume's skin effect was created by using two layers of linen covered by black netting which was slashed and sewn back together to give the impression of scars.[30]
Music
The official soundtrack for the show, by French composer Eric Serra, was released in late November 2010 exclusively through Cirque du Soleil's web store; the soundtrack can also be purchased at the official Believe store. The soundtrack is composed of the songs from the original variation of the show, with track listing as follows:
- Homage to the Rabbits
- The Life Factory
- Sexy Pet
- Flying with the Birds
- Kayala and the Poppies
- Sympathy for Crimson
- The Magic Door
- The Cockroach Dance
- In and Out of the Dream
- Shadows and Whispers
- Being Houdini I
- Being Houdini II
- Prewed
- Blow Me a Tornado
- She is Gone to the Sky
- The Magic Wedding
The song "Sexy Pet" also appears on the two-disc 25 compilation soundtrack.
References
- ^ a b c d e f g Chris Lee, Criss Angel believes that you will too, Los Angeles Times, October 12, 2008, Accessed November 4, 2008.
- ^ a b Richard Abowitz, Pressed Together: Criss Angel and Cirque and Luxor, LATimes.com, March 23, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Criss Angel's Vegas Magic, LATimes.com, March 20, 2008, Accessed November 4, 2008.
- ^ Norm Clarke, NORM: Puck menu caters to animal lovers, Las Vegas Review-Journal, March 23, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Angel's illusion of corporate bonding, LATimes.com, June 15, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Cirque announces Criss Angel's Believe, LATimes.com, April 17, 2008, Accessed November 4, 2008.
- ^ Norm Clarke, NORM: So, that's why it's titled 'Mindfreak', Las Vegas Review-Journal, April 13, 2008, Accessed November 4, 2008.
- ^ a b Richard Abowitz, Criss Angel freaks on one-eyed journalist after Miss USA pageant, LATimes.com, April 14, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Criss Angel ignores chance to retract threat, LATimes.com, April 15, 2008, Accessed November 4, 2008.
- ^ Sherman Frederick, Threats from Criss Angel, Las Vegas Review-Journal Blogs, April 18, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Local scribe predicts problems for Cirque over Criss Angel, LATimes.com, April 24, 2008, Accessed November 4, 2008.
- ^ Steve Friess, Criss Angel: I Didn't Threaten Norm, Vegas Happens Here, May 19, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Cirque and Angel's 'Believe' delayed, LATimes.com, June 30, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Previews of Criss Angel's 'Believe' delayed again, LATimes.com, September 2, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Breaking news: More delays for Angel's 'Believe', LATimes.com, September 13, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Sneak peak [sic] at Criss Angel's 'Believe', LATimes.com, September 29, 2008, Accessed November 4, 2008.
- ^ Doug Elfman, Angel's 'Believe' magic: Miffed fans disappear, Las Vegas Review-Journal, September 29, 2008, Accessed November 4, 2008.
- ^ a b Richard Abowitz, Criss Angel's 'Believe' hard to believe, LATimes.com, October 31, 2008, Accessed November 4, 2008.
- ^ Joe Brown, Illusion is elusive in Angel’s ‘Believe’, Los Angeles Times, November 1, 2008, Accessed November 4, 2008.
- ^ Doug Elfman, New Criss Angel show is unbelievably bad, sad, Las Vegas Review-Journal, November 3, 2008, Accessed November 4, 2008.
- ^ Reed Johnson, Criss Angel, in a word: unbelievable, Los Angeles Times, November 3, 2008, Accessed November 4, 2008.
- ^ Richard Abowitz, Enter the Discount, LATimes.com, December 19, 2008, Accessed December 20, 2008.
- ^ Richard Abowitz, "Criss Angel Believe" has a fan , LATimes.com, January 6, 2009, Accessed January 7, 2009.
- ^ a b Richard Abowitz, Perez Hilton's excellent Vegas adventure, from Criss Angel to Miss USA, LATimes.com, April 20, 2009, Accessed April 22, 2009.
- ^ a b c Norm Clarke, NORM: Coarse shout-out stirs up Tweeters, Las Vegas Review-Journal, April 19, 2009, Accessed April 22, 2009.
- ^ Richard Abowitz, Perez Hiton gets apology from Cirque; Angel remains silent, LATimes.com, April 20, 2009, Accessed April 22, 2009.
- ^ Norm Clarke, NORM: The devil to pay for Angel tantrum, Las Vegas Review-Journal, April 19, 2009, Accessed April 20, 2009.
- ^ John Katsilometes, Cirque, Vegas no longer need Criss Angel’s ready-shoot-aim act, Las Vegas Sun, April 21, 2009, Accessed April 22, 2009.
- ^ a b Robin Leach, Criss Angel’s $25 million castle home, Grand Canyon stunt on Mindfreak, Las Vegas Weekly, March 29, 2010, Accessed April 15, 2010.
- ^ Clément, Ronald (2009) (in CN, EN, FR, JP). Cirque du Soleil 25 Years of Costumes. Canada: Dépôt légal, Bibliothèque et Archives Canada. pp. 132–137. ISBN 978-2-9803493-4-8.
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